Known for his compelling stories and surprising turns, Jeethu Joseph takes a unique approach in his most recent project, “Neru.” In contrast to the traditional suspenseful narratives found in his earlier movies, Jeethu tells a story in which all the cards are revealed inside the first thirty minutes. Even if “Neru” deviates from his characteristic approach, it nonetheless captivates listeners and leaves them feeling deeply satisfied.

In contrast to the innovative revelations that have come to characterize Jeethu’s movies, “Neru” takes a distinct approach to storytelling. In the first few minutes of the movie, the audience is introduced to the crime, the accused, and the legal proceedings, laying the groundwork for an unusual cinematic experience. The impact of “Neru” is not lessened by the absence of a jaw-dropping revelation, which is a defining feature of Jeethu’s filmmaking; rather, it draws attention to the strength of its main theme.

“Neru” revolves around a powerful and timely idea: Sara, a visually impaired rape victim expertly represented by Anaswara Rajan, and the struggles she faces. The movie explores Sara’s quest to uncover the culprit and works through the challenges of persuading everyone that her enhanced senses make up for her blindness. This one concept transforms into the story’s main inspiration, providing a novel viewpoint on crime and justice.

In the movie, the way Sara recognizes the accused develops into a compelling narrative. The courtroom scenes that ensue, though, are where “Neru” really excels. The story deftly examines the difficulties the victim endured, turning her from the stereotypical quiet victim found in many films into a shining light of resilience. Sara becomes an intriguing and accessible protagonist because to Anaswara Rajan’s believable portrayal, which gives Sara more dimension.